Jimena Sarno engages craft traditions to imagine a future built on values of collectivity, reconfiguration, and repair. For Rhapsody, the title of the exhibition and the installation at its core, Sarno collaborated with artists, teachers, and makers, most of whom are from the Global South, combining filmmaking, sound, and sculpture with contemporary and traditional craft practices. Within a global context of extreme violence, fragmentation, and destruction, the artists share time, space, and resources to deepen solidarity through making, repairing, and the collective production of alternative forms of knowledge. Sarno’s project is framed as an alternative to Modernism’s utilization of cultural production as a tool to imagine utopian futures while reinforcing global systems of coloniality. The central installation features a group of objects made using techniques — including weaving, felting, woodworking, and pottery — that rely on bodies of knowledge passed from maker to maker. These objects are tools — at once utilitarian and utopian — designed for a hoped-for, not-so-distant future built on solidarity and mutual care.