Mariel Capanna (b. 1988) plays what she calls “games of remembering” as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions […]
The idyllic tranquility of the lives of shepherds became a prominent subject in literature, music, and the visual arts during the seventeenth and eighteenth centuries. A new exhibition at the Clark Art Institute, Pastoral on Paper, explores artistic depictions of rural life by considering their representations of the people and animals who inhabited the landscapes. […]
In the long nights of winter we dream of spring and take in the subtle beauty of the ice world around us. The Coming of the Light consists of thirteen works of art selected from Guild of Berkshire Artists applicants by jury. Media include oils, textiles, pastels, and photography. Styles range from realistic to geometric […]
Mariel Capanna (b. 1988) plays what she calls “games of remembering” as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions […]
The idyllic tranquility of the lives of shepherds became a prominent subject in literature, music, and the visual arts during the seventeenth and eighteenth centuries. A new exhibition at the Clark Art Institute, Pastoral on Paper, explores artistic depictions of rural life by considering their representations of the people and animals who inhabited the landscapes. […]
In the long nights of winter we dream of spring and take in the subtle beauty of the ice world around us. The Coming of the Light consists of thirteen works of art selected from Guild of Berkshire Artists applicants by jury. Media include oils, textiles, pastels, and photography. Styles range from realistic to geometric […]
Mariel Capanna (b. 1988) plays what she calls “games of remembering” as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions […]
The idyllic tranquility of the lives of shepherds became a prominent subject in literature, music, and the visual arts during the seventeenth and eighteenth centuries. A new exhibition at the Clark Art Institute, Pastoral on Paper, explores artistic depictions of rural life by considering their representations of the people and animals who inhabited the landscapes. […]
Mariel Capanna (b. 1988) plays what she calls “games of remembering” as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions […]
Mariel Capanna (b. 1988) plays what she calls “games of remembering” as a way of reckoning with loss. Working from home videos and family slideshows, whose runtime is her constraint, the artist races to record fleeting memory images in oil paint. She scatters these flat, pastel forms like confetti across deep, atmospheric surfaces, creating compositions […]