Reimagining the state of indeterminacy as a layered space that engenders the potential for growth and renewal, LaRissa Rogers’ I am too, a piece of clay explores undefined marginality as an aesthetic form that generates alternative epistemologies—sensorial, spatial, and affective. Rogers calls attention to the intervals that are often unremarked and overlooked: the negative space […]

Reimagining the state of indeterminacy as a layered space that engenders the potential for growth and renewal, LaRissa Rogers’ I am too, a piece of clay explores undefined marginality as an aesthetic form that generates alternative epistemologies—sensorial, spatial, and affective. Rogers calls attention to the intervals that are often unremarked and overlooked: the negative space […]