Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

A “master of momentum” (Chicago Tribune), Brian Brooks has choreographed for Hubbard Street Dance Chicago, Miami City Ballet, Wendy Whelan, and his own New York-based company. In The Moving Company’s first Pillow performance since 2013, they perform two world premieres and revisit Closing Distance which premiered just before the pandemic and hasn’t been performed since.  

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Directed by the legendary Archie Burnett, first Father of the New York-based House of Ninja, Life Encounters invites audiences to witness the evolution of New York City underground dance histories by way of Burnett’s most cherished personal memories.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt. Henry J. Leir Outdoor Stage.

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

In this highly-anticipated Jacob’s Pillow debut, Dallas Black Dance Theatre performs a Pillow-commissioned world premiere by sought-after choreographer Darrell Grand Moultrie, celebrated for his work with Alvin Ailey American Dance Theater, American Ballet Theatre, and Dance Theatre of Harlem. Darrell Grand Moultrie’s Pillow-commissioned work for DBDT is made possible by the Joan B. Hunter New Work Commission.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

The Jazz Continuum exploration centers the prolific artistry of Jazz music and dance as a cornerstone of Black American dance forms. Through this acclaimed series, LaTasha Barnes and her cast of masterful dancers and musicians embody, amplify, and showcase the power of Jazz dance and Lindy Hop to their personal dance journeys and the artform as a global phenomenon.  

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Returning to the Pillow for the first time in over 20 years, the STREB Extreme Action Company revisits their roots with a retrospective of Elizabeth Streb’s classic solos from the 70s and 80s, early equipment experimentations from the 90s, and jaw-dropping extreme action opuses with the large scale “action machines” the company has since become known for from the early 21st century. This historic look back connects their experimental path with the extreme action of their current and future works.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.

Leading artists from Boston Ballet, Houston Ballet, and Pacific Northwest Ballet take the stage in a Pillow-exclusive program that highlights the stunning range of ballet in the United States today. The program will feature performances from dancers of each company and culminate with them performing together for the first time in Second to Last, a work by Pacific Northwest Ballet’s resident choreographer Alejandro Cerrudo, inspired by and set to the music of Arvo Pärt.