Rodin in the United States: Confronting the Modern considers the artist’s legacy in America from 1893 to the present. While there has been much consideration of Auguste Rodin’s (1840–1917) reputation in […]
José Guadalupe Posada (1852–1913) was recognized already in 1888 as “the foremost caricaturist, the foremost graphic artist” of his native Mexico. A tireless producer of caricatures and satirical imagery for the penny press, Posada built his career in an era of political repression and lived to see the profound social changes brought by the Mexican Revolution of 1910.
This exhibition pairs new work by Tauba Auerbach and Yuji Agematsu, across parallel galleries in the Lunder Center at Stone Hill, under the rubric of the meander, as both noun and verb, motif and method.
In its first major exhibition on contemporary Asian art, A Spirit of Gift, A Place of Sharing is a campus-wide exhibition opening May 30 at Hancock Shaker Village.
Rodin in the United States: Confronting the Modern considers the artist’s legacy in America from 1893 to the present. While there has been much consideration of Auguste Rodin’s (1840–1917) reputation in […]
José Guadalupe Posada (1852–1913) was recognized already in 1888 as “the foremost caricaturist, the foremost graphic artist” of his native Mexico. A tireless producer of caricatures and satirical imagery for the penny press, Posada built his career in an era of political repression and lived to see the profound social changes brought by the Mexican Revolution of 1910.
This exhibition pairs new work by Tauba Auerbach and Yuji Agematsu, across parallel galleries in the Lunder Center at Stone Hill, under the rubric of the meander, as both noun and verb, motif and method.
In its first major exhibition on contemporary Asian art, A Spirit of Gift, A Place of Sharing is a campus-wide exhibition opening May 30 at Hancock Shaker Village.
Rodin in the United States: Confronting the Modern considers the artist’s legacy in America from 1893 to the present. While there has been much consideration of Auguste Rodin’s (1840–1917) reputation in […]
José Guadalupe Posada (1852–1913) was recognized already in 1888 as “the foremost caricaturist, the foremost graphic artist” of his native Mexico. A tireless producer of caricatures and satirical imagery for the penny press, Posada built his career in an era of political repression and lived to see the profound social changes brought by the Mexican Revolution of 1910.