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May 2021
Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Virtual: The Glorious American Essay With Phillip Lopate
Essay-writing has a rich history in the United States. What American essays should we remember today, and why? What contributions do they make to America’s collective memory? The Mount invites Phillip Lopate to discuss his recent edited collection, The Glorious American Essay: One Hundred Essays from Colonial Times to Present, and the addition of Edith Wharton’s lecture titled America at War (1918).
Find out more »Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Top to Toe – A Concert with Diane Taraz
In this program, Diane Taraz explores the hats, shoes, and everything in between that have been an intrinsic part of cultures around the world. The ancient origins of spinning, weaving, and sewing are fascinating, and there are many songs and stories about them. Taraz will detail how clothing has both created and responded to social issues through history.
Find out more »Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »June 2021
Ground/Work Lower Campus Talk
Each Saturday & Sunday, Clark educators lead a guided walk and conversation about three Ground/work installations: Jennie C. Jones’s These (Mournful) Shores, Analia Saban’s Teaching a Cow How to Draw, and Haegue Yang’s Migratory DMZ Birds on Asymmetric Lens. Saturday walks meet on the Fernández Terrace. Rain cancels.
Find out more »Virtual: The Rhinoceros, From Every Angle
The rhinoceros has been called a surrealist animal due to its associations with the work of Eugène Ionesco, Salvador Dalí, and François-Xavier Lalanne. Exhibition curator Kathleen Morris explores the ways these artists used the captivating mammal in their work. She focuses particularly on François-Xavier Lalanne, who repeatedly employed the animal as a subject, including mounting an exhibition in 1980 called “Le Rhinocéros dans tous ses états”.
Find out more »
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