This exhibition will explore the breadth of this Golden Age artist’s career, beginning with Schoonover’s art school experiences as a student in Pyle’s classes at the newly founded Drexel Institute of Art, Science, and Industry in Philadelphia, beginning in 1896, and his time at the Chadds Ford Summer School in 1899, where he honed his skills among other gifted Pyle pupils.

Working in the tradition of Frank E. Schoonover and the Golden Age masters, renowned illustrator Gregory Manchess has created a lavishly painted novel about the son of a famed polar explorer searching for his stranded father, and a lost city buried under snow in an alternate future. In Above the Timberline, when it started to snow, it didn’t stop for 1,500 years. The Pole Shift that ancient climatologists talked about finally came, the topography was ripped apart and the weather…

Exploring the commonality and distinctiveness of peoples and their traditions around the world through the art and stories in children’s picture books. Hanukkah, Christmas, Kwanzaa, and the Chinese New Year are celebrated in 30 original works created by six award-winning children’s book illustrators, highlighting our shared hopes and dreams for our communities and families.

Nature’s extremes—remote, fantastical, and unpredictable—permeated artistic imagery and popular media throughout the nineteenth century. News outlets reported on natural disasters around the globe, researchers defined modern scientific fields, and authors like Jules Verne infused their adventure novels with technological experimentation. Newly founded journals, such as Scientific American and the French La Nature, detailed emerging scientific theories and speculated upon Earth’s origins and its position within the greater cosmos. Influenced in part by the prevalence of scientific inquiry in popular culture,…

Turner and Constable: The Inhabited Landscape features more than fifty landscapes by J. M. W. Turner and John Constable, artists who elevated the status of landscape painting in the nineteenth century. The exhibition includes oil paintings, watercolors, drawings, and prints that explore the importance of the built landscape and the human figure within it.

Thomas Gainsborough: Drawings at the Clark reveals the artist’s fascination with mixed-media technique: graphite, chalks, ink washes, watercolor, and oil paints intermingle on toned papers. Together, the sixteen drawings on view in the Clark’s Manton Gallery for British Art demonstrate how Gainsborough championed an imaginative approach over naturalistic detail.